There's a small and fiercely independent festival in Boston. So small I often miss it. Not this year. It runs through tomorrow night.
What it is: it's about getting films made. It's about encouraging film makers. It's about giving some spotlight to the little, the credit-card funded, the erstwhile next master of gore/horror/broad satire.
What I learned: That if you're going to make crazy-ass movies to showcase you and your abilities, you're going to work with some brilliant people and some crazy ass nut jobs. Here's an example. Today, I went to a frowsy, abbreviated version of Lloyd Kaufman's 'Make Your Own Damn Movie' Seminar. The key topics came as stories and making-of shorts and stand-up riffing on the Axis of Evil formed by corporations and, well, money, which produces, he says, "babyfood" from Hollywood.
Kaufman - this is all news to me - has been making Troma films for 35 years. His new title in postproduction? Poultrygeist: Night of the Chicken Dead. He wanted freedom, not money, he said in refrain. He got exactly what he wanted. But Oliver Stone, Trey Parker, and James Gunn have worked for him. Tonight I'm going to see the anniversary showing of Tromeo and Juliet. More anon, dear reader.
While Stone, Parker, and Gunn have given up 'freedom,' going to work for the Axis of Evil, they now make movies that millions see. They make movies that wouldn't be possible for a half mil, the figure Kaufman gave as typical of recent Troma budgets. "Independent" is an approach, but also an attitude, politics, and eventually a self-limiting choice. "Doesn't play well with others" becomes "doesn't get to play." No wonder Kaufman's set up his own game his own way. I just don't get all the complaining about studios. They make a damn fine product. Nobody eats babyfood forever.
And that brings me to a program of shorts. Many of these were very solid efforts. Some great filming, editing, or acting. Good storytelling in few. Again I say, "You got your movie made! That was awesome, dude." Because you can probably get another at-bat. But I attended the shorts with TWIL, who loves me, not film. She was not entertained, delighted, fightened, or provoked to thought. She was bored and often confused. "Awesome," I lied.
So raise a light beer to everyone who made an okay movie. Because I'm glad you learned the thousand things you taught yourself. But the product. Dude! I'm totally lying. I'm thinking about the leftover Indian food in my refrigerator. Get back to work, damn it! And when you see my short, tell me the friggin' truth.
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