Like everyone who has an inferiority complex about comprehending the science of our times, I'm fascinated by the drumbeat of insights - of varying significance - about what happens in the brain. Two recent articles in the New York Times have me reflecting on what to pay attention to when writing stories.
Recently, a study showed that we don't want to know, and that we fight against knowing, facts that contradict our closely held opinions. A Shocker: Partisan Thought is Unconscious tells how political partisan thinking "is often predominantly emotional." The rational brain was quiet - dark on the MRI - when confronted with facts the listeners didn't like. It reminds me of a friend who couldn't remember that Miles (Paul Giamatti) in Sideways was pathetically flawed. There was, if nothing else, his stealing money from his mother. "Oh, I forgot about that," she said. Once he's redeemed himself and reached out for love, he's transformed from pathetic creep. Which is another way of saying that my friend had forgiven him, forgetting the facts that no longer apply.
In other words, it doesn't matter much what they say. It matters what they do. Once we fall for a character, we're going to sort what we don't want to believe and follow our emotions.
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